Following its acclaimed run in the Edinburgh Fringe last summer, THIS EVIL THING is now on tour!
The playscript of THIS EVIL THING is now available! Published by 49Knights, it consists of the full script and description of staging with a foreword by the director, introduction by the author(ahem)and six atmospheric illustrations by Carys Boughton.
The script is available for £10 inc p and p. Order your copy via the Contact tab.
“WELL-KNOWN actor and playwright Michael Mears brings his one-man play, This Evil Thing, about conscientious objectors in the First World War to Stratford’s Kempe Studio this Sunday. The play marks 100 years since conscription was bought in in 1916, here Michael tells Herald arts about the play and his inspiration for writing it.” The Stratford upon Avon Herald .interview 12th January 2017.
‘For God’s sake! This protest of yours – is it really worth losing your lives over?’
January 1916: Bert Brocklesby is a young schoolteacher, and preacher at his local Methodist church; Bertrand Russell is one of the greatest mathematicians of his time. With the advent of military conscription their worlds are about to be turned upside down.
THIS EVIL THING is the compelling, shocking and inspiring story of the men who said no to war; a rarely told story involving a dizzying journey from a chapel in Yorkshire to the House of Commons; from an English country garden to a quarry in Aberdeen; from a cell in Richmond Castle to a firing squad in France.
‘18? You’re too young to have a conscience!’
With military conscription still in force in many countries today, and prisoners of conscience still languishing in jails, the questions posed by THIS EVIL THING are as relevant and urgent as they were one hundred years ago.
Michael Mears – ‘The Fringe-First Award winning master of the one-man show’ The List (on Soup) –portrays a gallery of characters from conscientious objectors to army generals, from Prime Ministers to world-famous mathematicians, with breath-taking physical and vocal dexterity. This highly original piece of storytelling uses verbatim testimonies, a multi-layered sound landscape and vivid visual imagery.
Rosamunde Hutt has just directed the critically acclaimed LOVE, BOMBS AND APPLES (Turtle Key Arts/AIK Productions) at the Arcola Theatre, London and on a UK tour.