Japan Chapter 5: A Japanese Boy’s Response to The Mistake …

Before we reach Hiroshima – the city that I feel I’ve lived in for much of the last decade, but a city that I’ve never actually visited – we have two other destinations.  In my case, Nara and Tottori.

It was hard to fill every week of this month-long tour with performances, so we now have two spare days before travelling to Tottori City in western Japan where we have been invited to perform at the Bird Theatre Festival. Riko spends the two days visiting her family in Osaka; Maria stays with family in Tokyo, whereas I have been thinking of revisiting Kyoto – which I last saw twenty five years ago on my only previous visit to Japan, with the Young Vic Theatre Company when we were performing Hamlet.

But Maria nudges me towards Nara, the ancient capital of Japan.  ‘If you like temples and shrines, you’ll find some beautiful ones there.’  So that’s what I do – head south on the Shinkansen bullet-train to Nara for two days.

‘On your way to the temples, watch out for the deer,’ Riko advises me.  ‘They’re everywhere and if you’re not careful they’ll eat your food.’

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‘Serious Circus’

We had a wonderful time performing THE MISTAKE twice at Greenbelt Festival this weekend – in a big-top tent! About 400 people crammed in on each day, spilling outside as well…and despite some of the tent sides being left open to help cool everyone down, and despite noise coming in from music tents and from kids playing and shouting, the audience was so concentrated – pin-drop attention they gave us. Huge thanks to all who came and sat on the ground or propped themselves up on small portable seats or just stood at the back … and huge thanks to everyone at Greenbelt Festival who makes this unique annual event possible. I managed to speak to a few people afterwards and one older Japanese woman said – ‘It was so moving to see 400 British people sitting down to watch this story about Hiroshima.’ That comment really makes all the effort worthwhile…this is why we do it…

And now, two weeks today, it’s next stop Japan!! Tokyo – Saturday Sept. 13th to Sunday Sept. 21st.  (Not September 16th or 18th)   https://ayamachi.peatix.com/

(Photos of Riko Nakazono onstage, practising before the show – and of some of our audience on Saturday night…)

JAPAN…and HIROSHIMA…

So, it’s actually happening – we are going to Japan…with THE MISTAKE…in September.  Performing a bilingual version – with surtitles.  For about 12 performances, in Tokyo, Tottori and with one in Hiroshima itself.  That’s going to be quite a powerful and emotional experience, I’m predicting.  It’s not been at all easy getting venues and performances set up in Japan.  In the UK I know all about the touring circuit, in the US I had a number of contacts from my previous visit there, but for Japan I was pretty much starting from scratch.  And of course for this 80th anniversary year there were many events already being organised there – especially in Hiroshima itself.  But we have a tour in place now and we’ll be there for almost a month.  However, guess what? – we also need a little bit more money to get us over the line, so I have set up one more Crowdfunding page.  If you could share it with anyone you think would be interested in contributing, I’d be so grateful.

https://www.crowdfunder.co.uk/p/taking-my-play-the-mistake-to-japan-in-september

I’m sincerely hoping that this will be the last appeal I need to make for the foreseeable future!  Thank you, as ever…

(Photo of Riko Nakazono by Simon Richardson – image by Jerry Williams)

LAST CHANCE?

(Photo of Riko Nakazono by Simon Richardson)

There will be one last opportunity – well, one last week of opportunities – to see THE MISTAKE in London from October 14th to October 18th at the Arcola Theatre, Dalston. The play will then be put to bed – for who knows how long.  Emiko Ishii performed with me in London in 2023, but now Riko Nakazono has taken over the role of Shigeko, in my play about Hiroshima and the first atomic bomb.  Riko has committed herself to the project in this 80th anniversary year of the atomic bombings and has already been to the USA with me earlier this year, and travels to Japan with me in September to give some bilingual performances of the play.  (More about that soon…)  We then return from Japan to the Arcola to perform the play wholly in English again.  Riko gives a remarkable performance, powerful, moving, utterly captivating.  Do come and see the play – and/or please tell friends, colleagues, strangers – this could be their last chance.  Thank you! http://www.arcolatheatre.com

HARPO MARX AND THE ATOMIC BOMB

Towards the end of our second week of performances here in New York, the temperature outside shoots up into the high 70s and wouldn’t you know it, the air con in the theatre develops a fault.  We have three weekend shows and it can’t be fixed till Monday.  I’m not so concerned for myself, but for the audiences – full houses in a small theatre where they are watching a concentrated serious drama for eighty plus minutes with no interval.  

Amazingly, no-one leaves and no-one faints, though there’s a fair amount of programme flapping.  Riko and I are drenched in sweat and by the end of the two Saturday shows I’m feeling pretty spent.  We have a busy show the next day too, Sunday afternoon, and the heat persists.  It’s astonishing that the audience stays with us, comes with us all the way on our journey into the Hiroshima ‘heart of darkness’ – saving their complaints until afterwards for the front of house managers.  

On Sunday evening, having nothing planned, I am good for nothing anyway.  I lie on my bed, at the downtown guest house where I’m staying, completely flaked out, wondering if I’m suffering from heat exhaustion.  

I compose urgent emails to the theatre director and manager.

Next day, Monday May 4th, is a day off, and of course, it tips down with rain!  Not until I’ve walked some of the wonderful, leafy High-Line, though; after which I wend my way to Little Italy – where the words of ‘Volare’ are spelled out in little lights, strung across the streets.  I dive into a recommended restaurant, Zia Maria, and have a delicious lunch while watching the rain bucketing down outside.  At least the temperature is cooler.

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Five Amazing Women … (Or – ‘Gonna take my problem to the United Nations…’)

Did you know – I’m ashamed to say I didn’t – that 928 nuclear bomb tests were conducted in the USA between 1951 and 1992 at the test site in Nevada?  928.  Each one of which was more powerful than the atomic bombs dropped on Hiroshima and Nagasaki.  Each one of which had ‘fallout’ which for those people and communities ‘downwind’ of those tests has proved lethal.  In numbers of cases, fatal even.

One of the amazing women I met last week at the United Nations – (‘Hey, I thought you were in New York at 59E59 Theaters, not the UN!’ I hear you cry?  I’ll explain shortly, don’t worry) – anyway, one of the women I met there is of that group who identify themselves as ‘downwinders’ – and she has been fighting for justice and compensation from the US government for years.  She’s also written a play about her experiences.  More of that shortly, too.

I mentioned previously how there  have been so many links, loops and circularity on this tour of The Mistake in the US.  

Well, in a rather extraordinary coincidence, which I did know about before leaving London, the latest round of talks on the Nuclear Non-Proliferation Treaty (NPT)  are taking place at the United Nations, New York, at exactly the same time we are performing a play in the city about the dangers of nuclear weapons. 

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The Mistake in New York City

So it’s actually happening – and I can reveal where it’s actually happening…we are honoured to have been invited to perform THE MISTAKE in New York City at 59E59 Theaters as part of their annual Brits off Broadway season…we’ll be there from April 24th to May 11th (not Mondays), with post-show talkbacks after each Friday show.  I’d be so grateful if friends could spread the word, particularly to anyone you know Stateside. 

Here’s the link to our showpage…  https://www.59e59.org/shows/show-detail/the-mistake/ (photos by Simon Richardson)

We’ll arrive in New York City after half a dozen performances in other towns and in two universities. What a time to be in the States with this play – a play about the suffering caused to innocent lives by the devastation of war, about the dangers nuclear weapons pose to the world… 

In these ever more fragile times I cling to any rays of hope that I find.  Leo Szilard in THE MISTAKE has as his mantra, ‘the narrow margin of hope’ we must all maintain and believe in, and I think of Leonard Cohen’s ‘there is a crack in everything, that’s how the light gets in…’  

With A Little Help From My Friends…

It’s 80 years since American atomic bombs were dropped on two Japanese cities.  As I write this, a new US President will be taking their seat in the White House.  And in early April we will be bringing my play THE MISTAKE, about the terrifying dangers of nuclear weapons, to the USA.  

We will be touring there for six weeks from the start of April, and it’s an expensive undertaking, though in order to help the tour proceed, I have chosen once again to be unpaid myself.

Potential sympathetic funding bodies in the UK won’t fund a project that goes abroad and I hesitated to reach out to friends and supporters one more time, but I’m going to do so – and ask if you can help us get the play to the USA, to share the urgent themes and message of the play with a wider, American, audience?  Join us in our efforts to enlighten, to illuminate, to change hearts and minds, through the emotional power of theatrical storytelling?   

Any donation however small will make a difference. Or even just sharing the appeal with anyone you think might be able to help.  Here’s the Crowdfunding link for donations which gives a lot more information.

https://www.crowdfunder.co.uk/p/taking-the-mistake-to-the-usa

With many thanks to everyone for taking the time to consider this.  

(Photos by Simon Richardson and poster design by Jerry Williams.)

Taking off to the USA

NEWS…we’ll be taking off to the U.S. in April for a short tour of my play THE MISTAKE, in the 80th anniversary year of the atomic bombings of Hiroshima and Nagasaki. The U.S. spring dates will culminate in a three week run off-Broadway, New York City, April 24th-May 11th – just when, by coincidence, the next session of the Nuclear Non-Proliferation Treaty discussions will be taking place in the city.

 Photo by SIMON RICHARDSON

Performing THE MISTAKE in the States fills me with a certain trepidation…but excitement too. The play is a corrective to the OPPENHEIMER film blockbuster, which failed to reference the Japanese experience on the ground at all. Whereas Riko Nakazono in THE MISTAKE, portraying an atomic bomb survivor searching for her parents, brings the full magnitude of the catastrophe home to audiences. (In Edinburgh and in London, Emiko Ishii brilliantly created the role.) I will be reprising my roles as the maverick Hungarian physicist Leo Szilard and the pilot of the Enola Gay, Colonel Paul Tibbets. Money and funding are an issue as ever – so I will probably reach out with one more crowdfunding appeal in the New Year…

Photo of RIKO NAKAZONO in THE MISTAKE by SIMON RICHARDSON

Other USA dates include MANCHESTER UNIVERSITY, INDIANA, April 8th (time tbc) and NOTRE DAME UNIVERSITY, INDIANA, Sunday April 13th at 4pm. For more info/dates do check here… Tour Dates for THE MISTAKE in 2025, the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki.

A German ‘hibakusha’

‘The whole way I am oppressed by the thought that all the damage I see was done in one instant by one bomb.’  Father Wilhelm in THE PRIEST’S TALE. 

I’m giving two more performances of this piece in early November.  Based on an account in John Hersey’s brilliant book ‘Hiroshima’, it’s the compelling story of a German priest who survived the first atomic bomb. 

On Sunday November 3rd, 1.30pm at Hammersmith Quaker Meeting House, London, W6 0DT, nearest tube – Ravenscourt Park.  The Priest’s Tale – a story for our times | Hammersmith Quaker Meeting (hammersmithquakers.org.uk)

And on Thursday 7th November, 7pm, at Edinburgh Quaker Meeting House, EH1 2JL.  quakerscotland.org

Photograph by Simon Richardson.